Art

These works are created in silence—drawn from scripture,
sacred history, and the ordinary rhythms of medieval life.
Each image is crafted with care, then offered plainly as devotional printed art.
If you wish to take these works with you,
the collections below lead directly to the designs.
Photograph of a printed Witnesses to the Light holy card, produced on double-thick matte stock.
A physical example from the Faith and Verse saint portraits collection.


Witnesses to the Light
Traditional Catholic saint portraits in sacred realism, available as printed holy cards.
The Faith and Verse Witnesses to the Light portraits depict the saints in sacred realism—rooted in scripture, early Christian memory, and the long tradition of Catholic art. Each figure is shown with attributes associated with their witness, set within a unified gallery of form, colour, and stillness. Their names appear on the front, and a fitting verse is placed on the reverse.
Martyred saints bear a deep red sun-halo; confessors and holy teachers carry a warm gold.
Prints of these designs are available on double-thick matte stock—heavy, durable, and free of modern gloss or surface sheen. They serve as simple gifts for namedays, godchildren, and moments of need:
a patron for the sick, a companion in study, a protector in trial.
Made for reflection, intercession, and quiet companionship in the life of faith.
Witnesses in the World
Scenes from the earthly lives of the saints, rendered in traditional sacred realism.
The Faith and Verse scenes portray moments from the earthly lives of the saints—quiet acts of courage, mercy, teaching, conversion, or suffering. Each image is grounded in the historical world the saint inhabited: clothing, tools, homes, liturgy, and landscape are rendered according to the best surviving medieval and early-Christian evidence, without fantasy or modern embellishment.
These scenes do not dramatize; they recollect. They show the saints at the scale of ordinary life
—walking the road, teaching a child, praying before dawn, offering aid, choosing fidelity in the small and hidden places. Each composition is shaped to reveal the saint’s character through gesture, stillness, and the weight of their surroundings.
Printed holy cards of these are available on double-thick matte stock—heavy, durable, and free of modern gloss or surface sheen. Suitable for reflection, for teaching, for gifts tied to a saint’s feast or patronage, or simply as reminders of steadfastness in the life of faith.

In Darkness and Light
Medieval life lived between hardship and faith, where darkness and light endure together.
The In Darkness and Light collection presents scenes of medieval village life—homes of wood and earth, cold mornings and firelit evenings, labour done by hand, and faith woven quietly into daily rhythm. These images are not idealized and not theatrical. They are grounded in locality, material constraint, and historical continuity.
Darkness is present here: hunger, winter, fatigue, and death are never absent in the medieval world. Yet light endures—not as sentiment, but as order. Prayer before dawn, bread marked with the sign of the Cross, a child formed by example, a family gathered near the hearth. Faith is not announced; it is assumed.
These scenes are rooted in a small rural medieval village, where life is repetitive, inherited, and bound to place. Clothing, tools, interiors, and gestures follow what is known from surviving medieval material culture, without fantasy, modern comfort, or romantic distortion.
In Darkness and Light does not reconstruct the Middle Ages to admire them. It recollects a way of living where suffering and meaning were held together, and where belonging—to land, household, and God—shaped even the smallest acts of daily life.

COMING SOON
Where the Prophets Walked
Ground shaped by covenant, waiting, and the Word spoken before fulfillment.
The Where the Prophets Walked collection presents imagery fitted to the world of the Old Testament
—lands, dwellings, and human presence shaped by covenant, endurance, and expectation. The figures and places shown are restrained, attentive, and rooted in the material realities of the ancient Near East.
These scenes are ordered toward listening rather than action. A maiden seated beneath an olive tree, a village built of stone and earth, water held in stillness, oil set aside for anointing—each image reflects a world formed by promise, law, and waiting. Human presence appears without drama, as witness rather than subject, allowing Scripture to remain primary.
Clothing, architecture, vegetation, light, and gesture seek to follow what is known from historical and archaeological evidence of the Levant and surrounding regions, without modern romanticism or cinematic excess. Landscapes are not presented as spectacle, but as inhabited ground—places capable of receiving the Word of God.
Where the Prophets Walked gathers images shaped by anticipation rather than fulfillment. It recalls a world ordered toward what was spoken but not yet seen, where time moved slowly, meaning preceded clarity, and faith endured without resolution.

COMING SOON
The Time Appointed
The moment when promise becomes flesh and consequence.
The Time Appointed collection gathers imagery shaped by fulfillment rather than anticipation
—the moment when what was spoken through the prophets enters time, flesh, and consequence.
These images are ordered toward incarnation, sacrifice, and revelation, rooted in the historical world of the Gospels and the early New Testament. They present the gravity of the moment in which eternity intersects with the material world.
Human figures appear not as symbols, but as persons within history. Surroundings remain restrained: wood, stone, earth, and sky rendered as they would have been known, without theatrical staging or modern emotional cues. Clothing, gesture, architecture, and light seek to follow what is known from historical, archaeological, and textual evidence of the first-century Near East. Scenes are composed to avoid spectacle. Attention is directed instead toward posture, stillness, and the cost of obedience unfolding within ordinary physical space.

COMING SOON